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The analysis of a selection of Emily Dickinson's texts confirms the notion that suffering occupies the principal position in the poet's work. Her poetry constitutes an example of a painful literary quest for subjectivity as well as an act of self-transcendence, which means that through her writing the poet obtained conscious control over her personal anguish. By using pain as a poetic strategy she transformed her private biography into a literary text. In this way she became a model for coping with suffering and using it for self-examination and self-development. In Emily Dickinson's poems suffering creates a new language and a new outlook on the self and the world. During the investigation of her poetic texts three dimensions of suffering as a poetic strategy have been distinguished: suffering as a theme, suffering as a subversive force affecting the language, and suffering as a form of poetic expression. The critical tool used for this analysis was the theory of Julia Kristeva, who e
